All Sebastian Stoskopff 's Paintings

The Painting Names Are Sorted From A to Z
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Choice ID Image  Painting (From A to Z)    Details
75882  
Korb mit Glasern Sebastian Stoskopff
 
 Korb mit Glasern   Date Deutsch: um 1640 English: c. 1640 Medium Oil on canvas Dimensions Deutsch: 50 x 64 cm cyf
74466  
Korb mit Glasern, Pastete und einem Brief Sebastian Stoskopff
 
 Korb mit Glasern, Pastete und einem Brief   c. 1640 Oil on canvas 50 X 64 cm cjr
74956  
Metallgefabe und Glaser in einem Korb Sebastian Stoskopff
 
 Metallgefabe und Glaser in einem Korb   Metallgefabe und Glaser in einem Korb ol auf Leinwand, 65 x 54 cm cjr
76546  
MetallgefaBe und Glaser in einem Korb Sebastian Stoskopff
 
 MetallgefaBe und Glaser in einem Korb   Öl auf Leinwand, 65 x 54 cm Date undated, prior to 1657 cyf
20249  
Still Life with a Statuette and Shells (mk05) Sebastian Stoskopff
 
 Still Life with a Statuette and Shells (mk05)   Wood,201/2 x 28 1/2''(52 x 73cm)
20251  
Still Life with Books Candle and Bronze Statue (mk05) Sebastian Stoskopff
 
 Still Life with Books Candle and Bronze Statue (mk05)   Canvas,20 x 27''(51 x 69 cm)Acquired in 1982
63702  
Still-Life of Glasses in a Basket Sebastian Stoskopff
 
 Still-Life of Glasses in a Basket   1644 Oil on canvas, 51 x 62 cm Mus?e de l'Oeuvre de Notre Dame, Strasbourg The most neglected area of French 17th-century painting is that of still-life. It is still sometimes mistakenly assumed that the work of still-life painters was insignificant in their time compared with the grand designs of Claude and Poussin but, with one major exception, all the main still-life painters worked in Paris; they were not provincial artists working in obscurity away from the mainstream of the development of painting. The exception was the obscure S?bastian Stoskopff, whose oeuvre has only recently been reconstructed. He was isolated in Strasbourg, the main town of the province of Alsace, which did not come under French rule until 1648 (although Strasbourg itself was not occupied until 1681). In the Middle Ages the artistic traditions of Alsace had their own flavour, being subjected to influences from central Europe, Italy, and, to a lesser extent, France. Stoskopff, however, was influenced by none of these traditions, being a totally isolated painter working in a style verging on the naive. Influences from such German still-life painters as Georg Flegel are discernible, but they merely be caused by the similarity of subject-matter rather than by any stylistic affinity. Stoskopff art's is unique. One of the best examples of his work is the Still-Life of Glasses in a Basket. The tonality is monochrome, and the glasses in the basket are positioned in disarray. To this day, waitresses in restaurants in the region collect the empty drinking glasses by placing them heaped up in a basket rather than balancing them on a tray. There is therefore no complex iconography behind such a depiction; it is just a careful record of an everyday sight.Artist:STOSKOPFF, S?bastien Title: Still-Life of Glasses in a Basket Painted in 1601-1650 , French - - painting : still-life
51004  
Still-Life with Glasses and Bottles Sebastian Stoskopff
 
 Still-Life with Glasses and Bottles   1641-44 Oil on canvas, 122 x 99 cm
84546  
Still-Life with Statuette and Shells Sebastian Stoskopff
 
 Still-Life with Statuette and Shells   Date first half of 17th century Medium Oil on wood Dimensions Height: 52 cm (20.5 in). Width: 73 cm (28.7 in). cjr
88385  
Still-Life with Statuette and Shells Sebastian Stoskopff
 
 Still-Life with Statuette and Shells   first half of 17th century Medium Oil on wood cyf
51005  
The Great Vanity Sebastian Stoskopff
 
 The Great Vanity   1641 Oil on canvas

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